Alexandra Taylor: Writer

Pop into ‘People’ on Poplar Road and you’ll find that it’s had a facelift. While the shop still has a distinctly vintage vibe, its new look is more clean and contemporary, with bright white walls, sparser displays and more open space. It also now includes a large craft-making table where owners Christian and Allison Sadler create many of the clothes, accessories and homeware on display. ‘We wanted to incorporate our workshop,’ says Christian, ‘so that people can see us making things when they come in.’ ‘And it’s not just for us.’ explains Allison, ‘We love that customers can have a cup of tea and do a bit of knitting while their friends are trying on clothes.’ The makeover is not the first change that Christian and Allison have faced in their twenty year partnership. They began by selling their handmade crafts on market stalls, but in 2000 they gave up the itinerant life for the stability of their Kings Heath shop. ‘We wanted to bring together what we were doing in th...

Tribal loyalties are strong in south Birmingham, and nowhere more so than Moseley and Kings Heath. But two local businesses have been daring enough to straddle both communities. Winspers Florists was first established in Moseley forty years ago. Owner Charmain Hannaby took it over in 2007, but the building developed structural problems that the landlord wasn’t prepared to fix. Forced to move to new premises, Charmain took the opportunity to look for somewhere bigger and ended up just a few hundred yards down the Alcester Road, opening on Kings Heath High Street in March 2013. She believes business has benefitted from the move. “We get more custom here.” she says. “It’s a bigger store, with more room to mingle. Ironically, I also discovered that most of our customers live in Kings Heath, but were travelling to Moseley to get their flowers. We’ve actually become even more local for them, so we haven’t really noticed a big difference in the people coming in.” Remi Faveau, co...

This month spades hit the ground in the latest ambitious construction project at Mosley School. It’s the final stage of what has been a long and expensive plan to drag time-worn buildings up to modern educational standards. Three years ago, the school facilities were quite different - a beautiful, well used, listed grammar school building from 1856 and a dilapidated 1960s secondary modern that were united as one school, but whose separate buildings gave children a great excuse to be late for class as they dawdled on the walk between the two. With the help of £20 million from the government’s ‘Building Schools for the Future’ programme, the crumbling 1960s construction was finally replaced by a new state-of-the-art school with up-to-date IT facilities, big, bright classrooms and with a much shorter walk to the listed part, which also received a facelift and some interior re-design. It opened for business in October 2012 and staff and pupils alike have been delighted with t...

Like its characters, this production is rather stuck in the past. ‘Go Back For Murder’ is a 1960 adaptation of Agatha Christie’s 1942 novel ‘Five Little Pigs’. It tells the story of Carla Le Marchant (Sophie Ward) whose mother was convicted of her father’s murder. Twenty years after the crime, and convinced her mother was innocent, Carla enlists the help of lawyer Justin Fogg (Ben Nealon) to revisit the five other suspects in order to discover what really happened. In the original novel Agatha Christie took a stylistic risk, telling the same story several times, each from the perspective of a different character. While this technique worked in the book, it doesn’t translate well to the stage. There is far too much ‘tell’ and not enough ‘show’, particularly in the first act, which consists almost entirely of a series of static dialogues in which the characters do little but reminisce. In the second half we finally get some action, as the events of the fateful day are playe...

Moseley band Big Tent and the Gypsy Lantern are preparing a Christmas gift with a twist this December. Fresh from their UK tour, the boys will be back in Brum to round off the year with a special festive gig. It will be a Big Tent event like no other. Many of their original foot-stomping folk-inspired songs will be left at home in favour of a host of traditional Christmas classics. “One of our friends suggested it as a joke,” says percussionist George, “but we took the idea and ran with it.” “We’ve never done covers before,” explains guitarist Paul, “but we loved the idea of taking all those cheesy Christmas songs that you hear in the supermarket and making them our own.” On the provisional set list are favourites such as Band Aid’s charity anthem ‘Let Them Know It’s Christmas’, Wham’s cheesy pop ballad ‘Last Christmas’ and ‘Christmas Time’ by rock band The Darkness. The group will also be taking requests from fans via Twitter and Facebook. “It’s going to be a cha...

Queensbridge School has just been declared ‘outstanding’ by Ofsted. It’s an achievement, that Head Teacher Tim Boyes is rightly very proud of, particularly given the challenging situation that he faced when he first arrived at the school ten years ago. “If we’d been inspected in 2003,” he explains, “we would have failed and gone into special measures. As it was, we were inspected in 2004, a term after I arrived, and just scraped through as ‘satisfactory’.”  Despite it’s location, nestled comfortably between the cosy, middle class boroughs of Moseley and Kings Heath, Queensbridge School is surprisingly mixed. It has a large proportion of students from minority ethnic backgrounds, many of whom speak English as a second language. A high number of the students qualify for free school meals, and there are an above average number of students with disabilities and special educational needs. Taking the school from a C- to an A+ has been a long process involving radical change acros...

This musical melodrama takes its audience on a riotous journey through the criminal exploits of real life Victorian villain Charlie Peace. A travelling company of performers has pitched up in the town square and the theatre audience are the townsfolk, gathering to witness the spectacle. Norman Pace is a commanding Showman, presenting the performance with confidence and engaging the audience with jovial humour. Peter Duncan puts in a powerful performance as Charlie Peace, imbuing the character with enough charismatic charm to make up for his womanising, thieving and murderous ways. The rest of the talented cast bring a range of Victorian archetypes to life - a vicar, policemen, a brothel madam, a music hall singer - moving seemlessly between the various roles. Projection is cleverly used to transform the stage from street scene to interior, shabby terrace to elegant mansion, court room to train carriage. The action takes place across a dizzying range of cities and settings, pa...